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Celtic Coin Books

£ 17.50
The Tribes & Coins of Celtic Britain by Rainer Pudill & Clive Eyre
The Celts left no written records and the only historical accounts we have of them derive mainly from Roman writers. This makes archaeological finds all the more important and Celtic coins, in particular, unique as sources of information.

As little as 30 years ago many mysteries - and misconceptions - still existed as to the Celtic tribes of Britain and their kings. But thanks to metal detecting finds and the Celtic Coin Index, far more is now known.

In this book Rainer Pudill draws on his own experience as a collector - and this new knowledge - to present the latest thinking and facts on the Celts and their coins.
£ 15.00
War Coins of the Sun Warriors - Norman Rybot
War Coins of the Sun Warriors 
focuses on the iron age silver staters of the Coriosolites (The Sun Warriors) which have long been recognised as a key part of Britain’s imported coinage.

Contains 240 coins drawings with detailed descriptions to aid identification plus distribution maps. 


 


88 pages
A5 Paperback (210 x 148mm)
ISBN 978-0-9566889-4-1
£ 15.00
Boar Horse - Matthew RichBoar Horse covers the earliest silver coins of the Corieltavi (c.60 BC – AD 10) and catalogues 123 types and sub types.

Every coin is described in detail with enlarged drawings to make identification simple, with a guide to its rarity.

"One of the most beautiful, fascinating and complex coinages of the British Iron Age has finally received the attention it deserves” says Dr Philip de Jersey. "This superbly illustrated catalogue is the ideal handbook to guide collectors through the maze of types and varieties, many previously unpublished” says Dr John Sills. 


A5, 80 pages, paperback

ISBN: 978-0-9566889-2-7

£ 30.00
British Celtic Coins: Art or Imitation? By Tim Wright

British Celtic Coins: Art or Imitation? - TimWright

£30.00 Hardback. 144 pages.

Britain was a late adopter of coinage, initially importing coins from the Gallo-Belgic continent and then copying their Macedonian-inspired prototypes. Britain also produced them for longer than the continent, latterly incorporating themes and imagery from Rome. These bookends of external influence have led some to dismiss the coins of pre-Roman Britain (and indeed ‘Celtic’ coins generally) as inferior. The most compelling counter to this is the coins themselves, explored through the theme of Art or Imitation? What we find is extraordinary variety and originality, that makes a powerful case for their collection and study.